The movie "The Artist" has seemingly enchanted audiences everywhere and garnered awards all over the place. That it is a silent movie in black and white makes the popularity of the movie even more noteworthy.
The New York Review of Books looks at the movie and the person who really effected the transition from silent movies to talkies.
"Now that The Artist has whetted our interest in the silent film and the revolutionary impact of sound, it may be time to reconsider the career of the man who made the conversion to sound the basis of a whole new kind of movie, Fred Astaire. The Artist suggests quite accurately that the definitive event of the new sound era was the arrival of the film musical. Sound meant music; music meant jazz. But the technological transition was slow. After the first feature-length sound movie, The Jazz Singer (1927), which starred Al Jolson, it was six years before the advent of the Jazz Dancer proved that talking and even singing mouths were not nearly as expressive in the new medium as dancing feet, especially and almost exclusively the feet of Fred Astaire. Astaire and the difference he made to the film musical add up to more than the story of one career. No other film genre provided as perfect a synchronization of sight and sound or an experience as exhilarating, and that was very largely Astaire’s doing."
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